Feedback TOP

From TouchDesigner 088 Wiki

Summary

The Feedback TOP can be used to create feedback effects in TOPs. It can give fake motion blur by not clearing the color buffer. The Feedback TOP's input image will be passed through whenever Feedback is bypassed (by setting the Bypass Feedback parameter = 1). When feedback is activated (Bypass Feedback parameter = 0) the Feedback TOP will output an image stream sourced from its Target TOP. By selecting a Target TOP downstream in the feedback network, other filter TOPs can be added in between the Feedback TOP and its Target TOP to achive feedback effects. See the example networks below.

PythonIcon.png feedbackTOP_Class

See OP Snippets and the Examples section below for some networks detailing to use the Feedback TOP.

Parameters - Feedback Page

Target TOP /top - Specifies a TOP for feedback to use as its source when activated.

Bypass Feedback /reset - Activates feedback when set to 0. Disables feedback when set to 1. When disabled, the Feedback TOP passes thru the image connected to its input.

Parameters - Common Page

Resolution - quickly change the resolution of the TOP's data.

  • Input - uses the input's resolution.
  • Eighth, Quarter, Half, 2X, 4X, 8X - multiply the input's resolution by that amount.
  • Fit Resolution - Resizes the input to the size specified in Resolution using the best possible match that does not crop any of the input. It will resize the image to be larger than the input resolution if a larger resolution is specified. It's a "fit inside", Aspect Ratio is maintained.
  • Limit Resolution - Limits the input to the size specified in Resolution using the best possible match that does not crop any of the input. It's a "fit inside", Aspect Ratio is maintained.
  • Custom Resolution - enables the Resolution parameter below, giving direct control over width and height.

Resolution - enabled only when the Resolution parameter is set to Custom Resolution. Some Generators like Constant and Ramp do not use inputs and only use this field to determine their size. The drop down menu on the right provides some commonly used resolutions.

Use Global Resolution Multiplier - Uses the Global Resolution Multiplier found in Edit>Preferences>TOPs. This multiplies all the TOPs resolutions by the set amount. This is handy when working on computers with different hardware specifications. If a project is designed on a desktop workstation with lots of graphics memory, a user on a laptop with only 64MB VRAM can set the Global Resolution Multiplier to a value of half or quarter so it runs at an acceptable speed. By checking this checkbox on, this TOP is affected by the global multiplier.

Output Aspect - sets the image aspect ratio allowing any textures to be viewed in any size. Watch for unexpected results when compositing TOPs with different aspect ratios. (You can define images with non-square pixels using xres, yres, aspectx, aspecty where xres/yres != aspectx/aspecty.)

  • Input - uses the input's aspect ratio.
  • Resolution - uses the aspect of the image's defined resolution (ie 512x256 would be 2:1), whereby each pixel is square.
  • Custom Aspect - lets you explicitly define a custom aspect ratio.

Input Smoothness - This controls pixel filtering on the input image of the TOP.

  • Nearest Pixel - uses nearest pixel or accurate image representation. Images will look jaggy when viewing at any zoom level other than Native Resolution.
  • Interpolate Pixels - uses linear filtering between pixels. This is how you get TOP images in viewers to look good at various zoom levels, especially useful when using any Fill Viewer setting other than Native Resolution.
  • Mipmap Pixels - uses mipmap filtering when scaling images. This can be used to reduce artifacts and sparkling in moving/scaling images that have lots of detail.

Fill Viewer - determine how the TOP image is displayed in the viewer.

  • Input - uses the same Fill Viewer settings as it's input.
  • Fill - stretches the image to fit the edges of the viewer.
  • Fit Horizontal - stretches image to fit viewer horizontally.
  • Fit Vertical - stretches image to fit viewer vertically.
  • Fit Best - stretches or squashes image so no part of image is cropped.
  • Fit Outside - stretches or squashes image so image fills viewer while constraining it's proportions. This often leads to part of image getting cropped by viewer.
  • Native Resolution - displays the native resolution of the image in the viewer.

NOTE: To get an understanding of how TOPs works with images, you will want to set this to Native Resolution as you lay down TOPs when starting out. This will let you see what is actually happening without any automatic viewer resizing.

Viewer Smoothness - This controls pixel filtering in the viewers.

  • Nearest Pixel - uses nearest pixel or accurate image representation. Images will look jaggy when viewing at any zoom level other than Native Resolution.
  • Interpolate Pixels - uses linear filtering between pixels. Use this to get TOP images in viewers to look good at various zoom levels, especially useful when using any Fill Viewer setting other than Native Resolution.
  • Mipmap Pixels - uses mipmap filtering when scaling images. This can be used to reduce artifacts and sparkling in moving/scaling images that have lots of detail. When the input is 32-bit float format, only nearest filtering will be used (regardless of what is selected).

Passes - duplicates the operation of the TOP the specified number of times.

Channel Mask - Allows you to choose which channels (R, G, B, or A) the TOP will operate on. All channels are selected by default.

Pixel Format - format used to store data for each channel in the image (ie. R, G, B, and A). Fixed format values are limited to the range [0-1]. Refer to Pixel Formats for more information.

  • Input - uses the input's pixel format.
  • 8-bit fixed (RGBA) - uses 8-bit integer values for each channel.
  • 16-bit float (RGBA) - uses 16-bits per color channel, 64-bits per pixel.
  • 32-bit float (RGBA) - uses 32-bits per color channel, 128-bits per pixels.


  • 10-bit RGB, 2-bit Alpha, fixed (RGBA) - uses 10-bits per color channel and 2-bits for alpha, 32-bits total per pixel.
  • 16-bit fixed (RGBA) - uses 16-bits per color channel, 64-bits total per pixel.
  • 11-bit float (RGB), Positive Values Only - A RGB floating point format that has 11 bits for the Red and Green channels, and 10-bits for the Blue Channel, 32-bits total per pixel (therefore the same memory usage as 8-bit RGBA). The Alpha channel in this format will always be 1. Values can go above one, but can't be negative. ie. the range is [0, infinite).
  • 8-bit fixed (R) - has 8-bits for the red channel, 8-bits total per pixel.
  • 16-bit fixed (R) - has 16-bits for the red channel, 16-bits total per pixel.
  • 16-bit float (R) - has 16-bits for the red channel, 16-bits per pixel.
  • 32-bit float (R) - has 32-bits for the red channel, 32-bits per pixel.
  • 8-bit fixed (RG) - has 8-bits for the red and green channels, 16-bits total per pixel.
  • 16-bit fixed (RG) - has 16-bits for the red and green channels, 32-bits total per pixel.
  • 16-bit float (RG) - has 16-bits for the red and green channels, 32-bits per pixel.
  • 32-bit float (RG) - has 32-bits for the red and green channels, 64-bits per pixel.
  • 8-bit fixed (A) - An Alpha only format that has 8-bits per channel, 8-bits per pixel.
  • 16-bit float (A) - An Alpha only format that has 16-bits per channel, 16-bits per pixel.
  • 32-bit float (A) - An Alpha only format that has 32-bits per channel, 32-bits per pixel.


Examples - Feedback Networks

Example 1

File:Feedback1.tox

Feedback1.jpg

This simple feedback network starts with a white bar spinning in the TOP called rotate. The Feedback TOP uses over1 as its Target TOP. The Level TOP called reduce_opacity has it's opacity set to 0.95, so with each frame the original source image coming from feedback1 is reduced to 0.95 its opacity. This gives the effects of trails following the motion of the spinning white bar. If the TOP reduce_opacity was not in the network, the result would be a solid white disk after the bar has spun one rotation, as nothing would be changing from frame to frame.

Example 2

File:Feedback2.tox

Feedback2.jpg

Similar to the first example, but with another filter added in between the Feedback TOP and its Target TOP. This time the High Red parameter in the Level TOP called reduce_high_red was set to 0.95. So with each frame, the high end of the red channels is reduced from its previous frame. This creates a blend into a cyan color as the red is removed.

Add your own filter TOPs and play around, many amazing effects can be made with the Feedback TOP.

Example 3

See the Palette and look in the Techniques folder for an example of particles with feedback.